Photographed in a single day along the Wales–England border, this series forms a typology of roadside blind spot mirrors. Awkward in form and reflective in surface, they echo the Claude glass—once used by painters to frame and idealise landscapes—and the long-standing artistic fascination with convex mirrors as tools of distortion and curiosity. In this context, these functional objects become more than safety devices: they belong to a much older story about how we look at, frame, and interpret the world around us.
Tom Keighley 